Tour Management & Support
For over a decade, I’ve worked on the road with artists across North America, Europe, and Africa supporting international tours from the ground up. My roles have spanned tour, stage, and production management, photography, tech work, driving, and merchandise. I've had the privilege of tour managing acts such as Lambrini Girls (UK), Panic Shack (UK), Mdou Moctar (NIG), Ron Gallo (US), Sessa (BR), Ghost Funk Orchestra (US), L’Eclair (CH) and more
Making It Work
Touring is about keeping things on track, on time, organized, and as smooth as possible. I’ve spent the last 12+ years on the road, working internationally in a wide array of roles.
I’ve supported artists, working with crews of all sizes and setups. My approach is simple: stay organized, communicate clearly, and handle issues before they affect the show. I bring a steady, reliable presence in environments that change by the hour.
Having been on both sides of this job, I understand how to connect the logistical and creative sides of a tour. Whether it’s a club run or a festival circuit, I focus on keeping the team aligned and the pressure off the artist so they can focus on performing, and the rest just works.
Services
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Available for full-service international tour management. I handle advancing, scheduling, budgeting, and daily logistics with a focus on clarity, consistency, and adaptability. Experience managing tours ranging from small club runs to Coachella and beyond.
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Available to stage manage live shows and festivals, ensuring smooth transitions from load-in to set change. I coordinate directly with artists, techs, and venue staff to keep timelines tight and the stage running efficiently throughout the day.
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Available to document tours both onstage and off. I focus on capturing authentic moments—live energy, travel, downtime, and everything in between. My approach is unobtrusive and documentary-style, with an eye for detail and atmosphere. The goal is to create a visual record that’s honest, useful, and true to the feel of the tour—whether it’s for press, socials, or personal archives.